Double Feature
The Brackley Drive-in
“It was the best of times, it was the worst of times.” So says the oft-quoted line from Charles Dickens’ A Tale of Two Cities; and it feels pret...
“It was the best of times, it was the worst of times.” So says the oft-quoted line from Charles Dickens’ A Tale of Two Cities; and it feels pret...
Ebb and Flow: Tides of Settlement on PEI is momentous as it reveals and celebrates the art of generations of Islanders historically erased from instit...
On March 1st, when the PEI Symphony Orchestra presented “True North” under the direction of guest conductor Mélanie Léonard, the weather gods we...
Fascinating female trios abound in pop culture, from classical icons like the mythological Fates and MacBeth’s witches to modern examples like Charl...
The best and worst part of live theatre is how fleeting it all is. Every single performance is a one-time-only, one-of-a-kind entity all its own; and ...
My late, great grandfather Charles MacDonald – family man, checkers champ, covert dog fancier – was a World War II combat veteran. I don’t remem...
PEI’s fringe theatre imports often consist primarily of whatever lands in the Island Fringe Festival each summer; but new local company Desert Islan...
The Shame of the Meek is a deceptively simple show, yet also oddly complex. It’s simple structurally and conceptually – it’s a show about unwed ...
On October 20th, the PEI Symphony Orchestra, under the direction of conductor Mark Shapiro, presented “The Gathering Storm,” a concert featuring J...
For more than 10 years in the 1960s and early 1970s Canadians crowded around their television sets faithfully every week to watch Singalong Jubilee. T...
One sees certain plays repeatedly in the reviewing racket, especially classics, and the best of these hold up well. It’s partly a matter of pure, en...
Ebb and Flow: Tides of Settlement on Prince Edward Island is a multi-faceted multimedia multicultural presentation put together by Laurie Murphy and A...
Despite his oft-muted mug, your somber scribbler likes a fun time. The Island Fringe Festival’s literally random selection of plays tends to be hit-...
The Island Fringe Festival’s selection of shows via random drawing tends to produce an eclectic mix, but this year’s slate yielded an interesting ...
Fringe 2019 features productions that are deep, dark, moving, profound, thought-provoking, stunningly original and/or just plain bizarre. My second-fa...
Your reckless reviewer often likes going into a show cold – knowing as little as possible about the play and the players beforehand, so as to make t...
Georgetown, sweet Georgetown – the town so gorgeous they named it George-ish (almost certainly not their official motto, though we haven’t looked ...
“I was a fine idea at the time,” Elvis Costello once sang. “Now I’m a brilliant mistake.” That lyric’s been on your susceptible scribbler...
According to the principle of Chekhov’s gun, any firearm that appears in the first act of a play must be shot by the third, the point being to exclu...
In comedy, they say timing is everything, and the fleet-footed comedic farce Boeing Boeing at the Watermark Theatre revolves around a very specific ti...
College of Piping July 8 – August 15 Performed by House Band: Peter Gallant, Christine Gallant, Max Gallant, and Gilbert Arsenault. Pipe Band: ...
Harbourfront Theatre July 9, 10, 23 & 24; August 13, 14, 27 & 28 Performed by Lennie Gallant (lead vocals, guitar, harmonica, bodhran), Jer...
Blessed are they who can laugh at themselves, for they shall never cease to be amused. Who originally said that I cannot tell you, but I can tell you ...
Victoria Playhouse June 25-July 28 Performed by Francine Deschepper (Glenda), Debra Lynne McCabe (Suzanne), Helen Killorn (Beth), and Benton Hartl...
Lorne Elliott usually works alone. He’s not antisocial – the witty, wild-haired comedian/actor/writer/musician has dabbled in many collaborations ...
For your anglophile analyst, the Charlottetown Festival’s endless run of Anne of Green Gables – The Musical™ feels a bit like the British sci-fi...
Accomplished PEI stage and screen veteran Dennis Trainor is a longtime ensemble contributor who is seldom billed as a solo star. A far fuller picture ...
Reginald Rose’s 12 Angry Men started life as a 1954 TV special. It’s been reworked in a host of stage and screen incarnations since then, but TV...
The PEI Symphony Orchestra brought its 51st season to conclusion spectacularly on April 14, presenting “The World of Mahler 3” under the direction...
Your old-timey observer’s been at this reviewing racket long enough that I inevitably cover certain plays more than once – and Morris Panych’s s...
Perhaps I should preface this review, perhaps I should preface every review, with a disclaimer: I am no music expert. I’m not what PEISO violinist M...
I didn’t know until I read Lucy Maud Montgomery’s biography last year that Anne of Green Gables was her first published book. I also didn’t know...
Charles Dickens’ classic 1843 novella A Christmas Carol has been reprinted, adapted, imitated and lampooned endlessly, so coming up with a new spin ...
Ye olde reviewer last visited The Guild to watch a musical based on an Anne of Green Gables novel, so it neatly bookends the month to be back there a ...
Island audiences tend to give standing ovations to just about everything, regardless of the quality of the play or the performance. I’ve seen standi...
After viewing Harmony Wagner’s film, Singing to Myself, my impression as I stood up to clap with the full house of satisfied viewers was a pulling s...